Friday, June 20, 2014

Excerpt from The Darkest Place: A Surviving the Dead Novel







THE CAR WAS a 1998 Honda Accord.

Price: $2500.00. Odometer reading: 98, 319.

I could not have cared less about the mileage. After five summers at the Lazy J Ranch, and weekends mowing lawns around the neighborhood, and afternoons swapping bullet riddled paper targets at Black Wolf Tactical for five bucks an hour, it was mine. And any excuse to go for a ride was fine by me—a fact Lauren had no qualms about taking advantage of.

Caleb, could you run to the grocery store and pick up some milk?

Sure.

Would you mind taking this package to the post office for me?

Not a problem.

Your dad forgot his lunch. Could you take it to him, please?

Be glad to.

I don’t think I ever said no. The day it happened, I wished I had. But not for me.

For Lauren.

It was early in the afternoon on a warm, pleasant Tuesday in May. She had sent me to the dry cleaners to pick up the dress she had worn to her friend Nancy’s baby shower. Mary Sue Lewellen, who my stepmother liked not at all, had spilled a glass of pinot noir on her cream-colored Burberry London. Afterward, there followed the requisite gasp of surprise, and a round of horrified apologies, and graceful forgiving noises on Lauren’s part, and her landing a real stinger when Mary Sue suggested she would buy a replacement.

“Oh no, honey,” Lauren said, smiling sweetly. “I wouldn’t want to put you out. Stan’s tire shop went under last month, didn’t it? Just save that money, sweetie. I’m sure you need it more than I do.”

So I took my time that day. I stopped at a gas station to fill up even though the tank was only a little over half empty. I bought a Slim-Jim and ate it as I cruised down the mostly empty streets. The little Vietnamese lady who owned the dry cleaning business recognized me and we had a short, pleasant chat. I paid with the twenty-dollar bill Lauren gave me, pocketed the change, then carefully hung her dress from a plastic hook above the back seat.

As I neared home, I had a strong feeling something wasn’t right. The front door was shut even though it was only seventy-five degrees that day. When the weather was cool enough, Lauren always opened every window in the house and held the doors open with wooden stops, leaving the screen doors latched to keep bugs out. She loved the scent of a warm spring breeze as it aired out the stuffiness leftover from winter. I tried to remember if I had shut the front door out of habit when I left, and decided no, I hadn’t.

So what was it doing closed?

Rather than slowing down, I kept going, circled the block, and parked on a street parallel to my house. After killing the engine, I hesitated for a moment, wondering if I was being paranoid.

There’s no such thing as paranoid, my father’s voice told me. It never hurts to be extra careful. If something doesn’t look right, it probably isn’t.

I could have credited the closed front door to an absentminded mistake on Lauren’s part, but that didn’t fit her patterns. She was a meticulous, detail-oriented woman. She folded all the towels in the bathrooms exactly the same way, her car went through the carwash every Saturday morning, weather permitting. She never missed an appointment. The spices in the kitchen were stored in identical little tins with magnets on them, stuck to the refrigerator, each one labeled in Lauren’s neat, precise handwriting. Each pair of shoes had assigned parking on the closet rack, her CD collection was in alphabetical order, and she never left a room without turning off the lights. Why would someone like that open every window in the house and then shut the front door by mistake? Why would she walk by and leave it shut if it wasn’t her habit to do so?

The answer was obvious: she wouldn’t.

Something had to be wrong.

I didn’t have a gun or a knife, not even the Gerber pocketknife I usually carried. I pondered my options for a moment, then popped the trunk, lifted the thick piece of cardboard under the upholstery, and took the lug wrench from beneath the spare tire—a heavy, L-shaped hunk of steel about the length of my forearm.

Better than nothing.

I tightened my belt and slid the lug wrench into my waistband. Once I was satisfied it wouldn’t fall out, I got moving.

The thought occurred to me to knock on a neighbor’s door and try to call Dad, but most people in the neighborhood were at school or work at that hour. And even if someone was home, how long would it take to get Dad on the line? What if he was at the range with a class? Even if I told whoever answered the phone it was an emergency, it would take a minimum of twenty minutes before Dad could get home.

Not fast enough.

So I hurried to the Taylors’ house, whose backyard shared a border with ours along a tall wooden privacy fence. There was an entrance on my side of the street, latched, but easily defeated by inserting a thin twig between the slats and lifting. I shut the gate behind me, crouched low, and crept into the Taylors’ yard hoping no one was home.

The backyard was empty except for the Taylors’ patio, a stainless steel grill, and a hammock off to my left. I stayed close to the edge of the fence and crouch-walked to the far side, watching the windows and straining my ears. There was no movement, but I thought I heard a thump in one of the upstairs rooms followed by a muffled shout.

The fence was over six feet tall, with sharp points atop the slats and 2x4 crossbeams between the support posts. I gripped the V between two slats, stepped up on a crossbeam, and leapt as high as I could. My feet cleared the fence as I did a 360 in mid-air and landed in a three-point stance. Looking up, I could see the inner part of the back door was open, but the screen section was latched shut.

Above me, I heard a whimper and the dull thud of flesh striking flesh.

The urge to run into the house was strong, but as it has many times since that day, my training took over. I knew it was stupid to run into a building of any kind when I didn’t know what was waiting for me inside. So I drew the lug wrench from my belt and took position beside the back door. A quick peek around the corner revealed the kitchen was empty, so using flat end of the wrench, I cut a hole in the flimsy screen and carefully undid the latch.

Slowly, ever so slowly, I turned the handle, opened the door, and waited. There were a few more thumping sounds from upstairs, but nothing else.

I stepped inside, lug wrench raised over my shoulder, ready to swing or throw it in an instant. My shoes made almost no sound on the laminate floor as I crossed the kitchen and turned the corner to the living room. Just inside the front door, the foyer table was overturned, the lamp atop it broken on the ground, and several family pictures along the wall had been knocked askew.

On the floor, a blood trail traced across the living room carpet and up the stairs.

Cold rage burned low in my stomach. I stepped back into the kitchen, closed my eyes, and breathed in through my nose, out through my mouth.

In through the nose, out through the mouth.

Think, dammit.

In through the nose, out through the mouth.  

Assessment: There is an intruder in the house, possibly more than one. Assume they are armed. They have Lauren, and she is most likely injured. Secure the house, then immediately call for police and medical assistance.

Dad had stashed firearms in five different places throughout the house. I was guessing Lauren had been attacked and subdued before she could get to one. The closest was a pistol under the kitchen sink, a CZ-75 9mm automatic. I grabbed a bottle of olive oil from the counter, rubbed some of it into the cupboard hinges to keep them from squeaking, and opened the door just enough to reach inside. After a bit of feeling around, my fingers grazed the pistol’s checkered grip. The holster did not have a retaining strap, just a thumb paddle, so I pressed it and drew the weapon. After checking to make sure there was a round in the chamber, I thumbed the safety off and headed for the stairwell.

Ascending stairs is one of the worst tactical situations a person can face. Your enemy has the high ground and multiple angles of attack, whereas the person going up the stairs has a limited range of motion and no cover. The best way to handle it is to keep your weapon up and move quickly, covering as many vectors as you can. 

The carpeted stairs were mercifully quiet. I kept my weight close to the wall to avoid making the steps creak. Once at the top, I checked my corners and crouch-walked toward my parents’ bedroom. The door was shut, but from behind it, I could hear a low moan and a sound like fabric tearing. The rage in my gut soared to a crescendo.

I pressed my ear gently to the door and listened. More sounds of fabric ripping. My stepmothers voice, speech slurred, a plaintive tone.

The lug wrench was still poised over my left shoulder, my right hand holding the gun. There was no way to know how many intruders I was facing or how well they were armed. But what I did know was that Lauren was in there, she was hurt, and I was the only person in a position to do anything about it. Equal parts rage and fear coursed through me as I took a half step back, lunged forward, and slammed a kick just left of the door handle.

The door burst open hard enough to crack the drywall behind it. I stepped into the room and darted my eyes from one side to the other. My parents’ bed was to the left, a dresser and Lauren’s jewelry stand against the wall to my right. Lauren lay flat on the bed, gagged and bound hand and foot with duct tape.

There were two intruders, Caucasian males, one young, maybe early twenties, the other in his mid to late forties. Both wore identical blue polo shirts and tan slacks with dark brown dress shoes—the kind of thing a door-to-door salesman might wear on a temperate spring day. One crouched to my right, rooting through Lauren’s jewelry stand, while the other sat astride Lauren’s hips, ripping away at her blouse. Pale pink fabric lay in tatters on the bed around them, one side of her bra torn away to reveal her small right breast. Both men looked up in almost comical surprise as I entered the room.

Without hesitation, I hurled the lug wrench in a straight overhand toss. By good fortune, the flat end hit the man astride Lauren full in the mouth, causing the lower half of his face to explode in a crimson burst of blood and broken teeth. He let out an inarticulate cry of agony and toppled backward off the bed.

The other man saw the gun and lunged.

It is hard to describe what happens to you in situations like that. The adrenaline rush, the taste of copper on the back of your tongue, the tunnel vision, the way the world goes gray around the edges, the sound of your heart hammering in your ears, the way everything happens in the course of seconds but there are so many details.

I once heard a commercial where a coach exhorted to his team how life was a game of inches. How the small distances—the space between a receivers hand and a football, how close a soccer ball rolls toward the goal line, whether a boxer’s punch connects with his opponent’s chin or empty air—those tiny gaps, or lack thereof, make the difference between victory and defeat.

In mortal combat, they make the difference between life and death.

The intruder crossed the space between us in less than a second, hands outstretched toward my gun. But as fast as his legs propelled him across the room, my trigger finger was faster.

The first shot went low, striking him in the abdomen. I’m not sure if he even felt it, he didn’t make a sound, but by then he was halfway across the room. I raised my aim to avoid his grasping hands and fired again the instant before he hit me. He was shorter than me, but heavier, his weight enough to send both of us tumbling into the hallway. I had the presence of mind hook my instep under his thigh as we went down, and by rolling with the fall and thrusting with my arms and legs, I flipped his body up and over me. He landed flat on the floor, the air whooshing out of his lungs.

I twisted on the ground, brought my gun to bear, and fired twice into his chest at point blank range. In the fraction of a second it took me to fire, I realized I was wasting ammo—there was a neat nine-millimeter hole in his forehead.

The hollow point slug had mushroomed upon impact and excavated a fist-sized chunk of brain and skull from the back of his head. Blood flowed from the wound like water from a faucet, and for a second or two, all I could do was stare in horrid fascination. Then I heard a curse and a thump from the bedroom.

Wake up! You’re not out of danger.

Just as I rolled flat on my back to face the doorway, a gunshot rang out. I could see the other man kneeling on the ground, one hand over his ruined mouth, the other holding a snub-nosed revolver. His shot went wide, smashing one into the drywall to my left and dusting my face with white powder. The floating grit forced me to close one eye.

With my legs pressed flat to the ground to avoid shooting them, I fired four times. The first three shots caught the intruder center of mass, causing him to jerk violently with the impacts. The last one went wide and perforated the wall behind him. His gun fell from nerveless fingers as he slumped over, coughing out a bright spray of blood. Wide, surprised eyes stared at me for an eternity of seconds, then went blank. The intruders face slackened just before I heard his bowels let go.  

Then there was silence.

I lay on the ground, eyes stinging from the drywall dust, my own harsh breath grating in my ears. The three white dots on the CZ’s sights stayed lined up on the intruder’s chest, finger tight on the trigger. I switched the gun to my right hand and used my left to stand up. The intruder’s corpse shuddered a few times as I approached, but soon went still. To my left, I heard Lauren groan.

I ran to her side and looked her over. One eye was badly swollen, and there was a nasty split on her lower lip. But aside from a few scrapes and scratches from where her blouse had been torn away, I couldn’t find any other injuries. Gently, I tapped her on the cheek and said her name. Her eyes rolled, then fluttered, then looked at me and began to focus.

“Caleb?”

“Yeah, it’s me, Lauren. Are you hurt?”

“My head…” One of her hands gingerly touched the swelling around her left eye. I grabbed it and put it back down at her side.

“How bad is it?”

“One of them…hit me…”

Her eyes aren’t tracking. Concussion. She needs an ambulance.

“Listen, Lauren. How many of them were there? Was it just the two, or were there more?”

“Just two, I think.” Her voice was getting stronger.

“Okay, just stay here. Try not to move, okay? I’ll be right back.”

I did a quick sweep of the house and found no other intruders. Before going back upstairs, I called 911 and explained the situation, requesting police and an ambulance.

“Are the intruders still in the house?” The dispatcher’s voice was female, older sounding, but firm and confident.

“Yes ma’am. Two of them. They’re both dead.”

A pause. “Are you sure?”

“Yes ma’am. One of them took a shot to the head, and the other one took three slugs to the heart. I checked them both for a pulse.”

“Did either one of them have a pulse?”

“No ma’am.”

“And you were the one who shot them?”

“Yes. I already told you that.”

“Do you still have the weapon?”

“Yes. I’m going to unload it and put it on the coffee table in the living room.”

“Okay, I’ll let the responding officers know. Are there any other weapons in the house?”

I pinched the bridge of my nose. “Have you dispatched an ambulance yet?”

“Yes, I have. They’re on the way. Can you stay on the line with me until they get there?”

“How long until they get here?”

“I’m not sure, honey. They’re on the way, though. It shouldn’t be long.”

“I’m going upstairs and staying with my stepmom until they get here.”

“That’s fine, honey, just try not to move her, okay?”

I bit back an irritated retort; I probably had more first responder training than the paramedics answering my call. “Okay,” I said. “I”ll be careful.”

I knelt next to the bed and held Lauren’s hand, trying to keep her talking. Perhaps three minutes later, I heard sirens coming down the street. I went outside, flagged them down, and showed them where to find Lauren. I’ll never forget the look on their faces when they saw the bullet-riddled corpses of the intruders.

“Jesus Christ, kid,” one of them said, a big Hispanic guy. His nametag read Ortez. “You did all this?”

I nodded.

Ortez went to look over Lauren while his partner, a pretty blond woman with brown eyes and strong, useful looking arms, checked the corpses for signs of life. When she finished, she stepped in front of me and placed a gentle hand on my shoulder. Despite her outward calm, she positioned her feet like a fighter and there was a touch of wariness in her eyes.

“Can you wait downstairs for the police to get here, please?” she said. “Don’t worry, we’ll take good care of your mom.”

I thought about correcting her that Lauren was my stepmother, but decided against it. I simply nodded and went outside to wait.

Sitting there on the front porch, I thought about that hole in the drywall next to my head, and remembered something my dad once told me about marksmanship and ballistics. I think I was maybe eight or nine at the time, and we were eating kabobs at an outdoor picnic table at a bar-b-que place near downtown.

“Here’s something you need to understand about ballistics, son,” he said as he slid the meat and vegetables off a kabob and pointed it at the sky. “Here’s where you are when you’re shooting.” He pointed at the bottom of the kabob. “And here’s the bullet.” His finger touched the tip. “Any little movement on this side here at the bottom translates to a much larger movement here at the end.” He pivoted the kabob from left to right like the striker on a metronome. Looking at it that way, I understood the concept. A fraction of an inch of movement at the bottom of the kabob became several inches of movement at the pointy end.

“See what I’m saying, son?” he asked.

“Yeah, I think so. If I move just a little bit when I’m shooting, it doesn’t look like much, but the bullet is going to travel for hundreds of yards. That little movement of the barrel makes a big difference as to where the bullet ends up.”

Dad smiled. “That’s right.”

The guy who shot at me as maybe ten feet away when he pulled the trigger. The bullet hit the wall about ten inches to my left, and to hit at that angle, it must have traveled over and across my face from the right. Judging by where it punctured the wall, I figured it missed me by no more than three inches. If the intruder had aimed the barrel just a bit lower, or had the presence of mind to make a follow up shot, I would be the one dead and not him. And God only knows what would have happened to Lauren.

As the sirens grew louder and my hands began to shake, I remembered that commercial again, the one with the coach giving a speech to his team. The old fellow had it right.


Life really is a game of inches.

Saturday, March 15, 2014

Century Mark


Today, I celebrate two milestones.

One is the third anniversary of when I started work on my first novel, No Easy Hope. I did not know it then, but when I sat down in my recliner that day, laptop perched on my knees, I was taking the first step on a path that would change my life in ways I never could have imagined.

However, taken by itself, this event is rather unremarkable. The simple passage of time was the only requirement necessary to reach this point. But when combined with the other milestone, and taking into account the auspicious coincidence that they both occurred on the same day, it is very remarkable indeed.

At some indeterminate point last night, the Surviving the Dead series sold its 100,000th copy.

I remember when No Easy Hope hit the 1000 copy mark. I was over the moon. When it hit 10,000 in June of 2012, I had to walk outside, put my hands on my knees, and take a few deep breaths. Then came the release of This Shattered Land, and a 30-day period when my work sold over 8000 copies, and a numb tingling in my face when I looked at the royalty statement.

Don’t even get me started on the Warrior Within release. I think I peed a little.

Now, don’t get me wrong-- I’m not bragging. I am not posting this to wave a proverbial hand in the air and say, “Look at me! Look at me! Look what I did!”

No.

I am posting this because it happened three years to the day from when I first embarked on my writing career. That’s pretty flippin’ unlikely, but it happened. And I’m very happy about it. I think anyone would be. And while 100K is not a big 
deal for the James Pattersons and Stephen Kings of the world, it’s a big deal to me.

What does this mean for the future? Not a thing, really. I still have to keep writing if I want to earn enough to do it full-time. I don’t get a special award. There will not be a plaque on my wall hereby certifying that James N. Cook is a legitimate writer and is entitled to all rights and privileges appertaining.

But it does give me a sense of validation, and a tremendous sense of gratitude. Without you, my readers, without all your encouragement and support, it never would have happened.

You people rock harder than Keith Richards on a cocaine bender. I mean it.

There are days when I doubt myself. When I put my head in my hands and mutter, “This is shit. I am shit. My work is stupid and pointless and people are going to hate it. I should call up my old supervisor and beg for my job back because I am not cut out for this. I am a pointless waste of human flesh, and I should end my existence for the betterment of mankind.”

When that happens, I look at my sales figures. I look at my author page on Facebook and read all the nice things you folks have said about me. I look at my books’ star ratings. I look at my author rank on Amazon.

More importantly, I remember that I did all this without benefit of an agent, editor, or publishing contract. Taken in that light, a hundred thousand copies is a significant accomplishment.

Which is not to say I did not have help along the way. Keary Taylor’s cover art did a lot for me. No matter how good a book is, if it never gets noticed, nobody buys it. Keary’s covers are bold, eye-catching, and look professional. I cannot overemphasize how important that is, or how important Keary’s art and advice have been to me.

From the bottom of my heart, Keary, thank you. Next time I’m in Seattle, I’m taking you and your family out to dinner.

I also hired some proofreaders along the way. Not editors, mind you. Proofreaders. Which is not to say they couldn’t have done the editing: they could have. But I am a control freak, so I did the content editing myself. The proofreaders spotted mistakes I didn’t catch and helped me polish up the finished product. They also taught me a lot about grammar along the way. To Courtney, Misti, and Lori, I am very grateful for your help.

So what now? What’s next? What’s the plan, Mr. Hundred-Thousand guy?

Well, today is Saturday, so I’m going to go do something fun with my wife and kid. Maybe throw some steaks on the grill later to celebrate. Same story for tomorrow (minus the steak). Monday? Back to work.

Speaking of.

I am taking a short break from the Surviving the Dead series. I know you’re all anxious for the next installment (at least I hope you are, anyway), but the thing is, I can’t just write about zombies for the rest of my life. If I want to have staying power in this business, I have to branch out. Therefore, my next project will be the first installment of the long-awaited Jeremiah Cain: Vampire Hunter series.

This will not take long. I have done a lot of planning, and I think I can write it in about ten weeks. Add another week or two for editing, and I should have it ready to go by late May or early June. Afterward, I’ll get started on the next Surviving the Dead novel. Then Gladiator of Corsryn. Then another Surviving the Dead novel. Then another Jeremiah Cain novel. Then … well, you get the idea.

So to all of you who have followed me on this journey, let me just say again how grateful I am to you, and I hope you come with me on future travels. Do me a favor and tell your friends about me, and tell them I’m a long way from finished. (Lord willin’ and the creek don’t rise.)

For now, on to the next novel. And, hopefully, the next hundred thousand. Maybe I’ll get there, maybe not. Either way, I’m not going to stop writing even if I don’t make a dime or sell another copy. Because I love writing.


And that’s all that matters.  

Tuesday, December 10, 2013

Front Matter

As you may be aware, I recently published an omnibus edition of the first three Surviving the Dead novels. However, if you are a long-time reader of the series, you probably did not purchase the omnibus edition because you already have those novels. Consequently, you are most likely not aware of the author's note I included at the beginning. So, to avoid depriving you of what I think is a warm and heartfelt introduction, I have decided to post it here to my blog.

At the very least, it will help you kill some time.

Enjoy.

 

 

Author’s Note 


When I was twelve years old, I decided I wanted to be a writer.

I told my father about it, and I remember the look on his face when I did. The reaction I expected was a smile, a word of encouragement, perhaps a gentle punch on the shoulder.

That is not what I got.

My dad is a big man, possessed of gravitas, solemnity, and an intensely intelligent gaze. He has little patience for nonsense, and if you ask him for his opinion you had better be prepared for a strong dose of honesty. Because that is exactly what you are going to get. I knew this when I made my pronouncement, but in my boyish foolishness, I expected the old man to share my enthusiasm.

He did not.

Rather, he shuffled his feet a bit and focused on me, eyes narrowing, mouth twisting to the side. He took a step closer, his big workman’s hands moving to his hips, head tilting a little. It was his trademark stance of reluctance, the mannerism which told me that whatever he said next, I was not going to like it.

“Writing is fine, son,” he said. “But most writers don’t make very much money. It’s a tough business to break into. I’m not saying you shouldn’t try, or that you shouldn’t write, but you might want to do something else to pay the bills while you’re at it.”

My father is a practical man. Always has been. Which is understandable, considering he supported six people on a single income.

I let the matter drop until I was sixteen and facing the prospect of my senior year of high school. Unlike many of my peers, I had no plans after graduation. No job waiting for me, no real prospects to speak of, and no chance my parents would put up with me mooching off them for very long. So one bright summer day, I sat down and weighed my options.

The first thing I considered was college. I knew in order to get into a proper university, one needed good grades and a high SAT score. I had not yet taken the SAT, and my grades, at least until the second half of my junior year, were not very good.  I had been a lazy student for most of my scholastic career, doing the bare minimum necessary to get by.

Then, halfway through my junior year, I had an epiphany:

If I didn’t graduate on time, my dad was going to kill me.

So I started working harder, and in the space of about six weeks, went from being a C student to being on the honor roll. I practically floated when I showed my old man that first much-improved report card.

“I always knew you were smart, boy,” my father said, jabbing me in the chest with one thick finger. “Ever since seventh grade, your test scores have been in the stratosphere, but you always get Cs on your report card. Ain’t it amazing how much better your grades look when you get off your lazy ass and do your homework?”

I know. A beautiful father-son moment.

Anyway, despite my newfound diligence, the damage was done. Even if I could maintain my good grades all throughout my senior year, my GPA upon graduation would be, best case scenario, two point one.

Not exactly Ivy League material.

Compounding this difficulty was the fact that I had no money, no college fund, my father couldn’t afford to pay for my education, and my car was a piece of shit. Which meant I would have to start out at community college, find a part-time job, finance my education with student loans, and arrange transportation when my car broke down. Which it did, frequently.

College was out, at least for the time being.  

Okay, I thought. If I don’t go to college, I have to get a job.

But that wasn’t such a great option either. I lived between two small towns in rural North Carolina—which is to say, I lived in the middle of nowhere—and there wasn’t much work to be had. I could apply at the grocery store in Waxhaw, or try to find something over in Monroe, but how would I get back and forth?

Car a piece of shit. No public transportation. Maybe I can talk dad into helping me buy a better car?

I looked at the condition of his old red pickup truck. Scratched paint, busted side view mirror, rust on the fenders, tires nearly bald. He couldn’t even afford a better vehicle for himself, much less for  me. Not that I didn’t think he would do it; he most likely would have. But I didn’t want to create any more financial burdens for my father. The way I saw it, he had sacrificed enough for me and I was not about to ask him for anything else.

So what was I going to do?

I had not explored the military option yet, nor did I consider it at the time. It would be another seven months before I walked into the Navy recruiter’s office in Monroe and made a decision that would change my life forever. Before I would hold up my seventeen-year-old right hand, swear an oath, and feel the gravity of the situation begin to sink in.

What I did, rather, was climb into my 1985 Chevrolet Cavalier—blue, bald tires, crumpled left-front fender, hairline fracture in the windshield, broken spring in the driver’s seat that constantly poked me in the ass, suspicious stain in the back from the time I let my older brother borrow it to drive his girlfriend to work—and proceeded to one of my favorite places in the world.

The public library.

I found a book about publishing. It was written by a successful author whose name I forgot long ago. He laid it all out for me. Query letters, agents, publishing houses, editors, the contentious relationship between publishers and bookstores, the difficulties, the years of fruitless toil, the thousands of rejections, the heartache, the struggle to get noticed. And, finally, the sweet redemption of landing his first book deal.

For a lousy four-grand advance.

And a seven percent royalty.

After twenty years of trying.

I put the book back on the shelf, got in my car, and drove home. It would be fourteen years before I considered writing again.

So what changed, you ask? Why, after fourteen years, did I decide to take the plunge?

Kindle Direct Publishing. That’s why.

I learned about KDP after my wife bought me my first Kindle back in 2010, not too long after Amazon launched the KDP platform. I remember thinking to myself, so let me get this straight. No editors, no agents, no query letters, no publishing contracts, and no rejections. All I have to do is write the book, make a cover, and publish it.

What was I waiting for?

This decision was facilitated by a mini-crisis I was going through at the time. A crisis aptly titled, My Thirtieth Birthday. You see, my twenties just sort of flew by. I joined the Navy and did that for six years, got out, started college, found a job, finished college, fathered a child, and then one morning, out of nowhere, my twenties were over with.

 Gone. Finished.

And me standing around looking confused, vaguely pointing in the direction of those lost years mumbling, “What the hell happened here? I just turned twenty-one, like, three weeks ago. How am I thirty, now? Is this how all my birthdays are going to feel from now on?”

 In response to this anxiety, and as a way to try to control the uncontrollable, I took stock of my life. I reviewed all that I had accomplished up to that point. I thought of what I had done, what I wanted to do before I died—a prospect that seemed much more visceral and close that it once had—and I made a list.

I won’t bore you with the whole list, lest I engender your pity and contempt. But at the top of it, with a big number one beside it, were three words:

Write a book.

KDP. Thirtieth birthday. Lifelong dream. The unavoidable imminence of death.

I remember thinking, let’s do this.

And I did.

Ten months later, I published No Easy Hope. Seven months after that, This Shattered Land went live. Then Warrior Within. The Passenger. And now, well on its way to completion, Fire in Winter.

At the time of this writing, the Surviving the Dead series has sold over 89,000 copies in just over two years.

Burn Them All is next.

Then, Savages.

Gladiator of Corsryn.

Bronze Star.

And that’s just the next couple of years.

What happens after that, I don’t know. But I’ll figure it out, and I will enjoy every single minute of it. Because all those years ago, despite his father’s warning, that kid was right. Writing is the best damn job a person can have.

If you are already a fan of the series contained herein, I want to say thank you. Seriously. From the bottom of my heart. Thank you. You are the reason I am able to do what I love and make a living at it.

If you are new to the series, thank you as well. I hope you have as much fun reading these books as I did writing them, and I hope you come along on future journeys.

If your name is Keary Taylor, and you are the wonderful young lady who did all the cover art for this series, thank you as well. A good cover helps an author get noticed, and without your efforts, I doubt this series would have found nearly as much success.   

Last, but most importantly, thank you to my wife and family for supporting me and encouraging me to stop dreaming and make it happen. My life wouldn’t be worth much without you.

Now do me a favor. Stop reading this and turn the page.

And enjoy.

 

 

James N. Cook

Charlotte, NC

11/27/2013

Sunday, November 10, 2013

Anno Secundo


Saturday marked the second anniversary of the day I published my first novel, No Easy Hope
I didn’t post about it then because I was in Key West with my wife celebrating our tenth anniversary. It was the last day of our vacation, and I spent most of it either waiting for flights, flying, or drinking. Lots of drinking. (Double rum on the rocks, dash of diet coke, squeeze of lime, serve, and repeat until I damn well say stop.)
Don’t judge me.

I despise air travel, and no matter how many times I engage in it, my hatred remains undiminished.  
Anyway, the things I have learned in the past two years about writing and publishing could fill a book. Most of it I obtained through hard experience, but I also learned a great deal by heeding the advice of other writers and by studying various books on the subject. I would like to take a little time to share some of those lessons learned, as I have done in previous posts, and hopefully prevent other aspiring authors from running afoul of the same pitfalls I have. Perhaps, in addition, I can make a bit of an apology for those early, amateurish blunders.  

The first step to finding success in writing, even success as limited as mine, is to practice, practice, practice. In retrospect, I wish I had spent more time refining my technique before posting my first novel on Amazon. No Easy Hope has gone through a great many revisions since its initial iteration, and the edition available now is a far cry from the original. But still, I cringe a little when I go back and read that first awkward, halting literary attempt. My second novel was better in my opinion, which seems to be borne out by its more favorable reviews and higher star rating, but it was rough in places. I think Warrior Within was a vastly superior effort to the first two, although it received criticism for not featuring enough zombie violence. And while it certainly showed room for improvement, it gave me confidence my writing technique had progressed significantly.  

The Passenger was a unique experience in that it was my first attempt at writing in third-person. I thought making the switch would be difficult, but as it turns out, writing in third-person is really not that different from writing in first-person. The adjustments are relatively minor, and third-person provides the added benefit of allowing additional perspectives to create a more vividly realized story. That said, I still think first-person is the best way to help readers connect with characters, and I have no plans to change this aspect of the Surviving the Dead series. 

Getting to the main point of this post, let us explore some of the most common transgressions many new  writers—myself included—frequently commit. I discovered these snafus through a combination hard experience, tips, and hints from authors such as Patrick Rothfuss, Jim Butcher, Stephen King, and Elmore Leonard, as well as suggestions from fellow writers in my chosen genre and editors whose services I have employed from time to time. While I freely acknowledge I have been guilty of all of these infractions in my own writing, I can honestly say I have learned from them, and avoiding these mistakes has improved my craft significantly. The following is a brief index of said blunders, but as you read it, please note this list is in no way comprehensive. I’m still learning, and I am certain by this time next year I will have plenty more items to add to the list. But for now, here is the distilled inventory:  

1) In writing, you almost never need to use the word ‘that’. In most cases, it is filler material which detracts from a sentence’s core message, clutters up paragraphs, and adds unnecessary wordiness. For example: 
John shot a man that he hated with a gun that he found in the bedroom.
Or:
John shot a man he hated with a gun he found in the bedroom.  

The second sentence is shorter, more concise, and easier to read. The litmus test for whether or not to use ‘that’ in a sentence is to simply write it both ways, once with ‘that’ in place, and again with 'that' removed. If it reads just as well or better without ‘that’ (as it will in most cases), get rid of it. Doing so will tighten up otherwise slack writing.  

2) Simple past tense vs. past participle. I see people screw this up all the time. Here is an easy guide:
Simple past tense (this is the voice you want to prefer in your writing): John walked down the street.
Present perfect participle (used heavily in first-person, present-tense writing, which is popular in mysteries and noir fiction): I have seen John walk down the street.
Past perfect (used very commonly in most forms of writing, but can often be replaced with simple past tense for more concise structure): I had seen John walk down the street.
(Think about it. Does ‘I saw John walk down the street,’ sound any worse?)
Future Perfect (rarely used, mostly found in dialogue): I will have seen John walk down the street.
3rd Conditional (used mostly in dialogue, or in first-person narrative): I would have seen John walk down the street.

Each usage has its place, but in most cases, simple past tense will suffice.  

3) Active vs. passive voice. Example:
Active voice: I killed a man.
Passive voice: A man was killed.

One describes a person doing a thing in direct terms. The other describes a thing that was done by someone in indefinite terms. Defense attorneys, convicted criminals, and politicians are very fond of the passive voice. It softens the verbal impact of describing their actions. (Don’t believe me? Watch an episode of Meet the Press, Lockup, or Nancy Grace sometime.) You do not want to use too much passive voice in your writing. You want your writing to be profound and hard-hitting. However, passive voice has its place. One of the most celebrated instructional manuals on writing, The Elements of Style, by William Strunk, says to prefer the active voice whenever possible. However, for stylistic purposes, passive voice is not necessarily a capital offense. Remember: the rule is to prefer the active voice, not use it exclusively with no exceptions allowed. That said, you should write nine sentences out of ten in the active voice. It will give your storytelling a more forceful impact.  

4) Adverbs are not your friend, especially as applies to speech tags. Example:
“I’m going to kill you, but not until after I kill your family. I’m going to track down and murder every last person you ever cared about. Then I will catch you when you least expect it, I’ll lock you up someplace where no one can hear you scream, and before I’m done, you will beg for death. I warned you not to cross me, David. You didn’t listen. Now, you’ll suffer the consequences,” John said angrily.
Let’s explore this for a moment. Given the content of this snippet of dialogue, is it really necessary to insert the adverb ‘angrily’ after ‘John said’? Does not threatening to murder a person, as well as his or her family and friends, in and of itself constitute a statement of anger? I mean, it’s not exactly the kind of thing you promise when you are in a jaunty, bubbly mood. Also, there is the question of placement of the speech tag. For which, generally speaking, sooner is better. Let’s try it a different way:

“I’m going to kill you,” John said. “But not until after I kill your family. I’m going to track down and murder every last person you ever cared about. Then I will catch you when you least expect it, I’ll lock you up someplace where no one can hear you scream, and before I’m done, you will beg for death. I warned you not to cross me, David. You didn’t listen. Now, you will suffer the consequences.”

For a detailed description of speech tags and their proper usage (which I did not discover until I was halfway through Warrior Within), consult the Chicago Manual of Style online, or go on Amazon and purchase a copy 

5) Their, there, and they’re. To, two, and too. Your and you’re. It’s and its. A simple Google search can explain these distinctions. If you’re not sure, look it up. I’m not saying I never messed this up—I have—but these are not difficult mistakes to correct.

6) When writing an action scene, do not interrupt the action with a bunch of character introspection and excessive description. Readers will flip through this material impatiently and curse you for not advancing expeditiously to the goddamn point. If you must add something to the character’s experience, do it with as much brevity as possible, and do it either before or after the part where your character or characters kick some proverbial ass.

7) I hate weak heroes. I hate when a protagonist wins the day by getting his or her dumb ass saved by his or her friends. I hate protagonists that are constantly getting their asses kicked, getting captured, and making bone-headedly stupid decisions. This is common in literature. It is also formulaic, hackneyed, and cliché. It is literary laziness, and I have no patience for it.

8) Avoid excessive use of the word ‘very’. Don’t get me wrong, it has its place. But in most cases, you can get along just fine without it. ‘Very’ has a tendency to diminish that which it seeks to amplify. Ask yourself this:

Should a character be ‘very angry’, or should he be ‘infuriated’?

Should a character be ‘very upset’, or should he be ‘distraught’?

Should a character be ‘very happy’, or should she be ‘elated’?

There is almost always a better word to use than very, except when there isn’t, or if it doesn’t matter one way or the other. Use your best judgment. 

9) A few things no one wants to read about are as follows: poop, snot, bad breath, any body function described as ‘sour’ or ‘fetid’, and sweat on a person's upper lip. Just don’t do it.   

10) You may have seen this, but here are ten writing tips from Elmore Leonard, as well as my agreements and amendents:

1. Never open a book with weather.

(Unless it is vitally important to the story.)

2. Avoid prologues.

(Notice he said 'avoid', not 'never use'. Generally though, I agree.)

3. Never use a verb other than "said" to carry dialogue.

(Asked, replied, shouted, and screamed are acceptable as well, but should be used sparingly.)

4. Never use an adverb to modify the verb "said”…he admonished gravely.

(Agreed. In most cases.)

5. Keep your exclamation points under control. You are allowed no more than two or three per 100,000 words of prose.

(Depending on the context, I would say you can get away with more than two or three. But use them with the utmost caution, and if a sentence can stand on its own without an exclamation point, get rid of it.)


6. Never use the words "suddenly" or "all hell broke loose."

(Agreed. Just don't do it.)

7. Use regional dialect, patois, sparingly.

(Agreed.)

8. Avoid detailed descriptions of characters.

(Unless it is important to the story. But don't give it away all at once. Take your time, and spread it out evenly over the course of the story.) 

9. Don't go into great detail describing places and things.

(Again, unless it is absolutely necessary to the story, or adds color and richness to the prose. But, as always, don't overdo it.)

10. Try to leave out the part that readers tend to skip.

(Agreed. How do you know if readers will want to skip a section of text? Simple. If it is boring to you, it will probably be boring to your readers. That said, you will be guilty of this sin sooner or later, so don't beat yourself up for it.)
 
A full and comprehensive list would be a lot longer than this post will allow. But I have covered the most common and important bases, and I think it will be helpful to anyone just starting out in writing. If I used any terms in this post you don’t understand, a simple internet search should clear it up for you. Most importantly, don’t ever give up if writing is what you really want to do. It takes diligence, and you might never find the success you hope for, but for those who really love it, it is its own reward.  

Go forth and be fruitful, my friends.